By: Lavante Hunt
R&B Star, Bobby Valentino is no rookie when it comes to music making. He first made a splash on the scene back in 1996 when he released the socially-aware hit single "Blackberry Molasses" with former group members of Mista. After a failed second attempt at success, Mista disbanded and would quickly fade away in the music scene. In 2005, Valentino would return and reach a new plateau of success including his platinum self-titled debut and his certified gold sophomore effort Special Occasion. Now in 2009, Bobby gives it a third try. His junior LP entitled, “The Rebirth,” places Bobby in total control under his co-owned new label, Blu Kolla Dreams yet I’m not exactly sure if it’s what you call a “Rebirth.”
The opening of Rebirth may be the strangest fusion of gospel and R&B ever. Gospel great Dottie People's offers a "hooping session" of quirky hysteria. It’s comedic and scary how Valentino introduces his supposed "Rebirth". However, Bobby doesn't reveal his mediocrity for long; his strongest points remain in his ballads. “Make You the Only One” makes up for the awful intro of the album.
“Just Me & You and 3 is the New 2,” allows you to see where Valentino gained most of his musical styling. Prevalent due to 90's crooner, Raphael Saadiq's, feature on Just Me & You. Possibly the best tracks in between the album are the first radio ready single Beep, a party anthem featuring Yung Joc and the ballad similar to the styling of K-Ci & JoJo, “Stay With Me.” Stay is extremely catchy and unveils the vulnerability of Valentino which really works for him. Half-way through the song Valentino switches from his raspy second tenor to high-registered Usher-like falsetto. With simple, memorable lyrics Stay should be strongly considered for the follow-up single to Beep.
Despite Stay being such a strong track, Valentino still hasn't garnered enough wisdom in music to have consistency with his albums. Either the tracks are really great (Stay With Me; Give Me Your Heart) or really thin on lyrics and mediocre. On Rebirth those songs are the irritating “Butterfly Tattoo,” the "popcorn" lyrics of “My Girl,” and the repetitive art of simplicity on Be My Love. Gladly his non-consistency offers equal amount of good versus bad. “Make You Say, Another Life, and On the Edge” are all great album fillers. Nothing major or stand-out, but basic good songs to keep listeners tuned till the Rebirth's close.
Valentino has two other high notes on “Rebirth.” “Dance the Night Away” should be stoutly being taken back into the studio and be converted into an entire song. Valentino's voice is crisp and incredible and would have been a great tag to attach to his album's title since it is a ballroom dance track. His other is probably the best track and will allow forgiveness to seep in for Rebirth's cry-for-help opening; If the title track is the worst example of a cross genre between gospel and R&B, Give Me Your Heart is the best example. The guitar in the background is clearly reminiscent of former R&B a-Lister, D'Angelo while the strains and grunts are similar to R.Kelly. The clap and choral harmony is clairvoyant to southern mass choir on Sunday morning. Bobby definitely receives credentials (and our forgiveness for Rebirth's opening) after creating this track.
Overall Rebirth is a solid junior effort for Valentino. Don't expect too much from Valentino. Bobby has battled with redundancy throughout his career and Rebirth is no different from that.